1 00:00:08,878 --> 00:00:11,011 GIRL: HEY, MOM, CAN AMBER COME OVER TONIGHT? 2 00:00:11,054 --> 00:00:13,056 WOMAN: I DON'T KNOW. WHAT ABOUT YOUR HOMEWORK? 3 00:00:13,100 --> 00:00:14,057 I ALREADY DID IT IN SCHOOL. 4 00:00:14,101 --> 00:00:15,841 REALLY? YEAH. 5 00:00:15,885 --> 00:00:17,713 WELL, LET'S TALK ABOUT IT AFTER DINNER. 6 00:00:17,756 --> 00:00:19,715 OK, MOM. 7 00:00:21,238 --> 00:00:23,284 [CAR TURNS OFF] 8 00:00:30,769 --> 00:00:32,206 [OPENS MAILBOX] 9 00:00:46,220 --> 00:00:47,786 WE STILL GOT LEFT OVER MEATLOAF. 10 00:00:47,830 --> 00:00:48,961 YOU WANT TO DO THAT? 11 00:00:49,005 --> 00:00:50,441 GIRL: SURE. 12 00:01:22,256 --> 00:01:24,214 WHAT'S WRONG? 13 00:01:27,261 --> 00:01:29,393 [CAR ALARM SOUNDS] 14 00:01:33,310 --> 00:01:35,095 [DOG BARKING] 15 00:01:38,489 --> 00:01:39,490 [KIDS LAUGHING] 16 00:01:39,534 --> 00:01:41,318 JAKE: MOM! MOM!CHLOE: MOM! 17 00:01:41,362 --> 00:01:43,233 HI, GUYS. 18 00:01:43,277 --> 00:01:45,235 YOU DON'T LOOK SICK, MOM. 19 00:01:45,279 --> 00:01:47,281 OH, I'M NOT, SWEETIE. 20 00:01:47,324 --> 00:01:48,586 I'M...I'M JUST RESTING. 21 00:01:48,630 --> 00:01:49,892 ARE YOU GOING TO THROW UP? 22 00:01:49,935 --> 00:01:51,981 [LAUGHS] NO, NO, I'M FINE. 23 00:01:52,024 --> 00:01:53,200 HERE, MOMMY. 24 00:01:53,243 --> 00:01:54,244 AHH. 25 00:01:54,288 --> 00:01:56,638 SHE MADE YOU A SANDWICH. 26 00:01:56,681 --> 00:01:59,684 HEH. WHY, THANK YOU, LILY. 27 00:01:59,728 --> 00:02:02,557 IT'S TUNA FISH. AND PEANUT BUTTER. 28 00:02:02,600 --> 00:02:03,862 YEAH, I SEE THAT. 29 00:02:03,906 --> 00:02:05,125 ALL RIGHT, KIDS. THAT'S ENOUGH. 30 00:02:05,168 --> 00:02:06,387 COME ON, YOUR MOM NEEDS SOME PEACE AND QUIET. 31 00:02:06,430 --> 00:02:08,258 LET'S GO. COME ON. 32 00:02:08,302 --> 00:02:09,955 DAVID: I WANT TO PLAY MONOPOLY. 33 00:02:12,697 --> 00:02:15,570 PHEW. MM-HMM. 34 00:02:15,613 --> 00:02:17,093 YIKES. 35 00:02:17,137 --> 00:02:19,269 ALL RIGHT, SO YOU REMEMBER THE GROUND RULES? 36 00:02:19,313 --> 00:02:21,489 THE DOCTOR SAID 24 TO 48 HOURS 37 00:02:21,532 --> 00:02:23,099 COMPLETE BED REST. 38 00:02:23,143 --> 00:02:25,406 NOT HERE AND THERE BED REST, COMPLETE. 39 00:02:25,449 --> 00:02:26,537 OH. 40 00:02:26,581 --> 00:02:28,409 AND IF YOU NEED ANYTHING... 41 00:02:28,452 --> 00:02:30,237 [BELL DINGS] 42 00:02:30,280 --> 00:02:32,326 JUST RING AND I WILL COME AND TAKE CARE OF IT. 43 00:02:32,369 --> 00:02:35,677 WELL, LET'S TEST THIS THING OUT. 44 00:02:35,720 --> 00:02:37,200 [BELL DINGS] 45 00:02:37,244 --> 00:02:38,810 I NEED A KISS. 46 00:02:40,247 --> 00:02:42,205 BOY: I'M TELLING MOM. AND I'M TELLING DAD. 47 00:02:42,249 --> 00:02:44,294 YOU SURE YOU'RE UP TO THIS? 48 00:02:44,338 --> 00:02:46,340 WELL, ADMINISTRATIVE DAY AT SCHOOL, NO SITTERS, 49 00:02:46,383 --> 00:02:47,950 SO I BETTER BE UP TO IT. 50 00:02:47,993 --> 00:02:49,473 UGH. 51 00:02:49,517 --> 00:02:52,346 I MIGHT BE THE FIRST WOMAN TO GIVE BIRTH TO A BEACH BALL. 52 00:02:52,389 --> 00:02:53,477 WELL, JUST HANG IN THERE. 53 00:02:53,521 --> 00:02:55,349 NUMBER 5. 54 00:02:55,392 --> 00:02:56,437 NUMBER 5. 55 00:02:56,480 --> 00:02:58,613 HAVE WE TOTALLY LOST OUR MINDS? 56 00:03:00,049 --> 00:03:01,442 YOU START RESTING. 57 00:03:01,485 --> 00:03:03,183 NOW. [LAUGHS] 58 00:03:07,578 --> 00:03:09,232 I'M GONNA... YEAH, THANKS. 59 00:03:09,276 --> 00:03:10,581 APPRECIATE THAT. 60 00:03:16,283 --> 00:03:17,371 REID: YOU'RE BACK. 61 00:03:17,414 --> 00:03:19,895 HI. YEAH, THOUGHT I'D GET IN EARLY, 62 00:03:19,938 --> 00:03:21,723 STAKE OUT MY SPOT. 63 00:03:23,159 --> 00:03:24,291 MMM. 64 00:03:24,334 --> 00:03:26,075 FEELS LIKE OLD TIMES. 65 00:03:26,118 --> 00:03:27,816 IT DOES. 66 00:03:27,859 --> 00:03:29,383 THAT'S GOOD, RIGHT? 67 00:03:29,426 --> 00:03:30,688 IT'S GREAT. 68 00:03:30,732 --> 00:03:33,430 GARCIA: JJ, OH, MY GOD, OH, MY GOD, OH, MY GOD. 69 00:03:33,474 --> 00:03:35,389 JJ! OH, MY GOD. LOOK AT THAT. 70 00:03:35,432 --> 00:03:36,868 LOOK AT YOU.OHH, HEY. 71 00:03:36,912 --> 00:03:38,218 HI.IT'S ME. 72 00:03:38,261 --> 00:03:40,481 [LAUGHS] HI. 73 00:03:40,524 --> 00:03:42,222 MISSED YOU. 74 00:03:42,265 --> 00:03:43,527 HEY, THERE. 75 00:03:43,571 --> 00:03:47,096 HEY. WELCOME BACK. SO GOOD TO HAVE YOU BACK. 76 00:03:47,139 --> 00:03:48,315 GREAT TO BE HERE. 77 00:03:48,358 --> 00:03:50,795 [CHUCKLES] 78 00:03:50,839 --> 00:03:54,277 WE DID DISCUSS YOU MAYBE EASING BACK 79 00:03:54,321 --> 00:03:55,713 INTO THINGS SLOWLY. 80 00:03:55,757 --> 00:03:57,976 EMILY, I'M GOOD TO GO, REALLY. 81 00:03:58,020 --> 00:04:00,283 I EVEN BROUGHT A PERMISSION SLIP FROM MY DOCTOR. 82 00:04:00,327 --> 00:04:02,242 PROMISE ME, 83 00:04:02,285 --> 00:04:04,418 NO JUMPING OUT OF HELICOPTERS. 84 00:04:04,461 --> 00:04:06,071 ONLY AS A LAST RESORT. 85 00:04:06,115 --> 00:04:07,464 YOU HAVE MY WORD. 86 00:04:07,508 --> 00:04:09,466 SO WHAT HAVE WE GOT? 87 00:04:09,510 --> 00:04:12,600 WELL, THE TWO MAIL BOMBING DEATHS WE'VE BEEN MONITORING IN OHIO 88 00:04:12,643 --> 00:04:15,646 AND KENTUCKY, THIRD ONE JUST HAPPENED IN MEMPHIS. 89 00:04:15,690 --> 00:04:16,734 WE AREN'T MONITORING ANYMORE. 90 00:04:16,778 --> 00:04:18,301 THIS CASE IS NOW OUR TOP PRIORITY. 91 00:04:18,345 --> 00:04:20,172 TWO VICTIMS ARE RHONDA KIRKMAN 92 00:04:20,216 --> 00:04:21,478 AND HER DAUGHTER SOPHIA, 93 00:04:21,522 --> 00:04:24,307 BUT UNLIKE JOSEPH AINSWORTH AND SHEILA STECHER, 94 00:04:24,351 --> 00:04:26,309 BOTH OF THESE SWEET SOULS HAVE SURVIVED. 95 00:04:26,353 --> 00:04:28,572 APPARENTLY THAT BLAST WASN'T AS STRONG AS THE OTHERS. 96 00:04:28,616 --> 00:04:31,314 MOTHER AND DAUGHTER ARE IN CRITICAL CONDITION, THOUGH. 97 00:04:31,358 --> 00:04:33,664 AND WE STILL DON'T KNOW HOW THESE BOMBS WERE SENT? 98 00:04:33,708 --> 00:04:36,450 NONE OF THE TRADITIONAL MAIL CARRIERS SENT ANY PACKAGES 99 00:04:36,493 --> 00:04:38,321 TO THE VICTIMS ON THE DAYS OF THE ATTACKS. 100 00:04:38,365 --> 00:04:40,671 WELL, GOOD CHANCE HE DROPPED THEM OFF HIMSELF. 101 00:04:40,715 --> 00:04:42,325 WELL, THAT'D BE A SIGNIFICANT DEVIATION 102 00:04:42,369 --> 00:04:43,979 FROM THE TRADITIONAL M.O. OF A MAIL BOMBER. 103 00:04:44,022 --> 00:04:45,633 MOST DON'T GET ANYWHERE NEAR THEIR VICTIMS. 104 00:04:45,676 --> 00:04:48,505 AND I WONDER WHY THE THIRD BOMB DIDN'T PACK THE SAME PUNCH. 105 00:04:48,549 --> 00:04:50,333 DEVICE MALFUNCTION, MAYBE? 106 00:04:50,377 --> 00:04:51,987 THAT WOULD BE MY GUESS. 107 00:04:52,030 --> 00:04:54,119 GUYS LIKE THIS DON'T USUALLY DIAL DOWN THE VIOLENCE, 108 00:04:54,163 --> 00:04:55,425 THEY ESCALATE. 109 00:04:55,469 --> 00:04:56,948 WELL, IF THIS LATEST BOMB WAS LESS POWERFUL, 110 00:04:56,992 --> 00:04:59,429 HOPEFULLY WE HAVE MORE FORENSIC EVIDENCE TO SIFT THROUGH. 111 00:04:59,473 --> 00:05:01,388 WHAT I'M WORRIED ABOUT IS A PISSED OFF UNSUB. 112 00:05:01,431 --> 00:05:03,128 HE BOTCHED THIS ONE. 113 00:05:03,172 --> 00:05:06,349 WE CAN BE DAMN SURE THE NEXT ATTACK WILL GET THE JOB DONE 114 00:05:06,393 --> 00:05:07,785 AND THEN SOME. 115 00:05:07,829 --> 00:05:09,047 KRISTY'S ON MANDATED BED REST, 116 00:05:09,091 --> 00:05:10,658 SO MATT WILL STAY BEHIND AND CONSULT BY PHONE. 117 00:05:10,701 --> 00:05:13,922 HIS MILITARY EXPERIENCE WITH MUNITIONS SHOULD BE HELPFUL. 118 00:05:13,965 --> 00:05:16,403 FOR THE REST OF US, WHEELS UP IN 10. 119 00:05:27,501 --> 00:05:28,980 IT'S 250, RIGHT? 120 00:05:29,024 --> 00:05:32,201 PLUS TIP, IF YOU'RE SO INCLINED. 121 00:05:35,422 --> 00:05:38,207 OK, LET'S DO THIS. 122 00:05:40,644 --> 00:05:43,168 ONE RED HOT, STONE COLD CADAVER 123 00:05:43,212 --> 00:05:44,474 COMING UP. 124 00:05:46,041 --> 00:05:48,043 YOU SAID THIS WOULD BE A WOMAN. 125 00:05:48,086 --> 00:05:50,567 BODY STEALING BUSINESS, SOMETIMES YOU TAKE THE-- 126 00:05:50,611 --> 00:05:52,961 NO, MAN, WE AGREED THAT THIS WOULD BE A WOMAN. 127 00:05:53,004 --> 00:05:55,442 DEAD'S DEAD. WHAT THE HELL'S THE DIFFERENCE? 128 00:05:58,358 --> 00:06:01,448 OH, YOU DON'T GOT TO GO THIS ROUTE, BUDDY. 129 00:06:01,491 --> 00:06:04,929 THEY'VE GOT ONLINE DATING SITES NOW. 130 00:06:04,973 --> 00:06:07,279 SPRUCE UP A LITTLE. YOU'RE NOT A BAD-LOOKING GUY. 131 00:06:07,323 --> 00:06:09,412 LEARN A LITTLE BALLROOM DANCING. 132 00:06:09,456 --> 00:06:11,414 [LAUGHS] 133 00:06:11,458 --> 00:06:15,113 I'M JOKING, MAN. JUST YANKING YOUR CHAIN. 134 00:06:17,072 --> 00:06:19,683 OK, UH, THIS TRANSACTION, 135 00:06:19,727 --> 00:06:21,816 THE MERCHANDISE BEING WHAT IT IS, 136 00:06:21,859 --> 00:06:23,383 ALL SALES ARE FINAL. 137 00:06:23,426 --> 00:06:25,167 SO YOU WANT THE STIFF OR NOT? 138 00:06:27,604 --> 00:06:28,779 YEAH, PUT IT IN. 139 00:06:28,823 --> 00:06:31,652 MM-MMM. FREE SHIPPING STOPS HERE. 140 00:06:31,695 --> 00:06:33,610 PUT IT IN YOURSELF. 141 00:06:37,701 --> 00:06:39,877 [BAG ZIPS] 142 00:07:19,264 --> 00:07:21,049 [DOOR CLOSES] 143 00:07:23,660 --> 00:07:25,445 [SNIFFS] 144 00:07:38,283 --> 00:07:40,155 [CHUCKLES] 145 00:08:02,003 --> 00:08:05,397 CAPTIONING MADE POSSIBLE BY ABC STUDIOS, LLC AND CBS, INC. 146 00:08:36,603 --> 00:08:38,605 PRENTISS: "LIFE IS UNDER NO OBLIGATION 147 00:08:38,648 --> 00:08:40,432 TO GIVE US WHAT WE EXPECT." 148 00:08:40,476 --> 00:08:42,826 MARGARET MITCHELL. 149 00:08:42,870 --> 00:08:44,175 RHONDA KIRKMAN AND HER DAUGHTER 150 00:08:44,219 --> 00:08:45,742 ARE STILL IN THE ICU. 151 00:08:45,786 --> 00:08:47,831 GARCIA: FRIENDS, PACKAGING RECEIVED FROM THE LATEST BOMBING 152 00:08:47,875 --> 00:08:50,965 HAD U.S. POSTAGE, BUT CURIOUSLY, NO CANCELLATION MARKS. 153 00:08:51,008 --> 00:08:53,533 WELL, THE UNSUB PUT THEM ON JUST TO MAKE THEM LOOK LEGIT. 154 00:08:53,576 --> 00:08:55,012 SO IT'S WHAT WE THEORIZED. 155 00:08:55,056 --> 00:08:56,448 HE'S HAND DELIVERING THE BOMBS. 156 00:08:56,492 --> 00:08:59,277 RISKY BUSINESS EXPOSING YOURSELF LIKE THAT. 157 00:08:59,321 --> 00:09:01,541 MOST BOMBERS ARE COWARDS WHO DO THEIR 158 00:09:01,584 --> 00:09:03,107 DIRTY WORK FROM THE SHADOWS. 159 00:09:03,151 --> 00:09:04,456 YOU KNOW, THERE'S SOMETHING ELSE MISSING 160 00:09:04,500 --> 00:09:05,632 THAT WE USUALLY FIND WITH THIS TYPE OF KILLER-- 161 00:09:05,675 --> 00:09:06,763 A MANIFESTO, 162 00:09:06,807 --> 00:09:08,548 SOME SORT OF CAUSE THEY WISH TO ESPOUSE. 163 00:09:08,591 --> 00:09:10,288 TED KACZYNSKI, ERIC RUDOLPH, 164 00:09:10,332 --> 00:09:12,595 TIMOTHY McVEIGH, BOMBERS TEND TO BE FANATICS 165 00:09:12,639 --> 00:09:14,423 DRIVEN BY EXTREME IDEOLOGIES. 166 00:09:14,466 --> 00:09:16,512 VICTIMOLOGY'S ALSO TOUGH ON THIS ONE. 167 00:09:16,556 --> 00:09:18,514 GARCIA, STILL NOTHING TO CONNECT THE VICTIMS? 168 00:09:18,558 --> 00:09:20,472 THEY ARE HOMO SAPIENS ON THE PLANET EARTH, 169 00:09:20,516 --> 00:09:23,432 BUT BESIDES THAT--AGE, RACE, ETHNICITY-- IT'S ONE BIG MASH UP. 170 00:09:23,475 --> 00:09:25,303 WELL, THEY HAD ONE THING IN COMMON-- 171 00:09:25,347 --> 00:09:27,131 THE UNSUB WANTED THEM ALL DEAD. 172 00:09:27,175 --> 00:09:30,482 TARA, YOU AND LUKE GO TAKE A LOOK AT THE LATEST CRIME SCENE. 173 00:09:30,526 --> 00:09:32,615 REID, JJ, YOU'LL HEAD TO THE HOSPITAL. 174 00:09:32,659 --> 00:09:34,182 DAVE AND I WILL SET UP WITH LOCAL LAW ENFORCEMENT 175 00:09:34,225 --> 00:09:36,010 ONCE WE LAND. 176 00:09:39,666 --> 00:09:42,233 SO HOW'S KRISTY'S BED REST GOING? 177 00:09:42,277 --> 00:09:44,584 SHE'S COMPLYING, BUT SHE'S NOT HAPPY ABOUT IT. 178 00:09:44,627 --> 00:09:46,803 AND I AM BEING THAT HARD-ASS HALL MONITOR 179 00:09:46,847 --> 00:09:48,413 THAT EVERYBODY HATES. 180 00:09:48,457 --> 00:09:49,937 ROSSI: HAVE YOU HAD A CHANCE TO REVIEW THAT BOMB EVIDENCE 181 00:09:49,980 --> 00:09:51,199 WE SENT YOU? 182 00:09:51,242 --> 00:09:52,635 YEAH, THAT'S WHY I'M CALLING. 183 00:09:52,679 --> 00:09:55,464 SO WE'RE DEFINITELY DEALING WITH ONE UNSUB HERE. 184 00:09:55,507 --> 00:09:58,685 THE ASSEMBLY AND PACKAGING IN ALL 3 ATTACKS ARE IDENTICAL. 185 00:09:58,728 --> 00:10:02,253 THOSE BOMBS DIDN'T LOOK ESPECIALLY SOPHISTICATED. 186 00:10:02,297 --> 00:10:03,428 NO, THEY'RE NOT. 187 00:10:03,472 --> 00:10:04,995 YOU STUMBLE ACROSS THE RIGHT WEBSITE, 188 00:10:05,039 --> 00:10:06,736 AND YOUR AVERAGE PERSON COULD PROBABLY PUT THESE TOGETHER. 189 00:10:06,780 --> 00:10:09,521 ONE MORE THING. IT LOOKS LIKE EACH PACKAGE CONTAINED 190 00:10:09,565 --> 00:10:10,914 A BOOK OF SOME KIND. 191 00:10:10,958 --> 00:10:12,829 MAYBE THAT'S WHAT SET OFF THE EXPLOSIVE. 192 00:10:12,873 --> 00:10:14,614 YOU OPEN THE COVER, BOOM. 193 00:10:14,657 --> 00:10:16,137 THAT WAS MY INITIAL THOUGHT, TOO, 194 00:10:16,180 --> 00:10:18,835 BUT I'M NOT SEEING ANY SPRING-LOADED TRIGGERS. 195 00:10:18,879 --> 00:10:21,359 THEN WHAT THEN, A TIMER? 196 00:10:21,403 --> 00:10:23,231 NO, NO TIMING DEVICES, EITHER. 197 00:10:23,274 --> 00:10:24,580 [CHILDREN LAUGHING] 198 00:10:24,624 --> 00:10:26,713 I THINK THESE EXPLOSIVES ARE BEING DETONATED 199 00:10:26,756 --> 00:10:27,844 VIA REMOTE CONTROL. 200 00:10:27,888 --> 00:10:29,672 OK, I'LL LET YOU GO. 201 00:10:29,716 --> 00:10:31,413 SO WHAT ARE YOUR KIDDIE PLANS FOR TODAY? 202 00:10:31,456 --> 00:10:32,675 OH, WE'RE GONNA GO BIG. 203 00:10:32,719 --> 00:10:35,417 UH, COOK A FANCY MEAL, MAYBE PLAY A BOARD GAME. 204 00:10:35,460 --> 00:10:36,679 BOARD GAME? 205 00:10:36,723 --> 00:10:38,072 YEAH, I'VE GOT ONE HERE I BOUGHT 206 00:10:38,115 --> 00:10:40,204 IN THAILAND YEARS AGO, HAVEN'T OPENED YET. 207 00:10:40,248 --> 00:10:42,424 ATTENZIONE ALLA VARIETA. 208 00:10:42,467 --> 00:10:43,991 TRANSLATION? 209 00:10:44,034 --> 00:10:46,689 ROUGHLY, DEVIATE FROM VIDEO GAMES 210 00:10:46,733 --> 00:10:48,082 AT YOUR OWN RISK. 211 00:10:48,125 --> 00:10:49,823 [LAUGHS] THANKS. 212 00:10:49,866 --> 00:10:52,521 BUONA FORTUNA. 213 00:10:54,915 --> 00:10:58,832 PHOTO ALBUM. THIS MUST BE THE BOOK MATT WAS TALKING ABOUT. 214 00:10:58,875 --> 00:11:00,703 YEAH, SIMILAR ALBUMS WERE PIECED TOGETHER 215 00:11:00,747 --> 00:11:02,400 AT THE OTHER CRIME SCENES. 216 00:11:02,444 --> 00:11:04,098 WE'RE TRYING TO TRACK DOWN WHERE THEY WERE PURCHASED. 217 00:11:04,141 --> 00:11:05,621 ANY ACTUAL PHOTOGRAPHS RECOVERED? 218 00:11:05,665 --> 00:11:08,319 ONLY THIS ONE FROM RHONDA'S HOUSE. 219 00:11:08,363 --> 00:11:09,843 BUT CHECK THIS OUT. 220 00:11:11,758 --> 00:11:14,630 HE SENT RHONDA A PICTURE OF HER OWN HOUSE. 221 00:11:14,674 --> 00:11:16,719 HER HOUSE, BUT... 222 00:11:16,763 --> 00:11:19,722 WHAT ELSE? 223 00:11:19,766 --> 00:11:22,072 SIMMONS: SO WHAT DO YOU THINK? HUH? 224 00:11:22,116 --> 00:11:24,771 WE'RE GONNA CHOOSE SOMETHING WE'VE NEVER EATEN BEFORE, 225 00:11:24,814 --> 00:11:27,382 WE'RE GONNA MAKE IT FROM SCRATCH TOGETHER. 226 00:11:27,425 --> 00:11:28,992 WHY CAN'T WE EAT SOMETHING NORMAL? 227 00:11:29,036 --> 00:11:30,124 LIKE PIZZA. 228 00:11:30,167 --> 00:11:32,866 BECAUSE WE EAT NORMAL ALL THE TIME. 229 00:11:32,909 --> 00:11:34,519 COME ON, YOU GUYS, IT'LL BE FUN. 230 00:11:34,563 --> 00:11:35,738 WE'LL MAKE EXTRA FOR YOUR MOMMY. 231 00:11:35,782 --> 00:11:37,044 WE'RE GONNA SURPRISE HER. 232 00:11:37,087 --> 00:11:39,089 HERE'S WHAT WE'LL DO. I'M GONNA CLOSE MY EYES 233 00:11:39,133 --> 00:11:42,136 AND MOVE MY FINGER, AND WHEN YOU SAY "STOP," 234 00:11:42,179 --> 00:11:44,704 THE BOOK I'M POINTING TO, NO MATTER WHAT, 235 00:11:44,747 --> 00:11:45,835 WE'LL FIX WHAT'S ON THE COVER. 236 00:11:45,879 --> 00:11:47,271 SOUND GOOD? 237 00:11:49,665 --> 00:11:51,580 LOVING THE ENTHUSIASM. 238 00:11:51,623 --> 00:11:53,451 OK, HERE WE GO. 239 00:11:54,801 --> 00:11:58,021 MMM. 240 00:11:58,065 --> 00:11:59,806 STOP. 241 00:12:02,809 --> 00:12:05,812 [CHILDREN GIGGLE] 242 00:12:05,855 --> 00:12:07,639 "MODERN MOROCCAN." 243 00:12:07,683 --> 00:12:13,341 BASILLA WITH DEJAJ-- DAJAJ--DAJA-- 244 00:12:13,384 --> 00:12:14,777 ALL RIGHT, IT'S A LITTLE COMPLICATED. 245 00:12:14,821 --> 00:12:16,344 WE'RE GONNA CHECK AND SEE WHAT THE INGREDIENTS ARE. 246 00:12:16,387 --> 00:12:21,653 GINGER, OK. TURMERIC, CRUMBLED SAFFRON THREADS? 247 00:12:21,697 --> 00:12:24,482 [MUTTERS] CRUMBLED SAFFRON THREADS. 248 00:12:26,920 --> 00:12:28,269 HOW DOES PIZZA SOUND, YOU GUYS? 249 00:12:28,312 --> 00:12:30,010 [CHILDREN CHEERING] 250 00:12:30,053 --> 00:12:31,576 YEAH, LET'S DO-- LET'S DO PIZZA. 251 00:12:32,839 --> 00:12:33,927 YEAH. YEAH! 252 00:12:33,970 --> 00:12:37,495 PIZZA. [EXHALES] 253 00:12:43,850 --> 00:12:46,156 MR. AND MRS. KIRKMAN, I'M DR. REID. 254 00:12:46,200 --> 00:12:48,811 I'M SSA JENNIFER JAREAU. WE'RE WITH THE FBI. 255 00:12:48,855 --> 00:12:50,813 THE DOCTORS SAID YOU'D BE COMING. 256 00:12:50,857 --> 00:12:52,336 WE'RE VERY SORRY ABOUT WHAT HAPPENED 257 00:12:52,380 --> 00:12:53,903 TO YOUR DAUGHTER AND GRANDCHILD. 258 00:12:53,947 --> 00:12:55,165 THANK YOU. 259 00:12:55,209 --> 00:12:57,124 WE KNOW THAT THIS IS A DIFFICULT TIME, BUT-- 260 00:12:57,167 --> 00:12:59,691 NO, NO, ASK YOUR QUESTIONS. 261 00:12:59,735 --> 00:13:01,998 NEITHER ONE OF US HAS HAD MUCH SLEEP, THOUGH. 262 00:13:02,042 --> 00:13:04,609 FLIGHTS WERE ALL BOOKED SO WE DROVE DOWN FROM MICHIGAN. 263 00:13:04,653 --> 00:13:06,829 YEAH, STRAIGHT THROUGH THE NIGHT. 264 00:13:06,873 --> 00:13:08,962 DO YOU HAVE ANY IDEA WHO MIGHT HAVE DONE THIS? 265 00:13:09,005 --> 00:13:11,355 WOMAN: NOT AT ALL. 266 00:13:11,399 --> 00:13:13,096 EVERYBODY LOVES RHONDA. 267 00:13:13,140 --> 00:13:15,533 SHE DIDN'T HAVE AN ENEMY IN THE WORLD. 268 00:13:17,666 --> 00:13:19,146 MR. KIRKMAN? 269 00:13:19,189 --> 00:13:23,890 MY WIFE CUTS PEOPLE TOO MUCH SLACK. 270 00:13:23,933 --> 00:13:25,413 RHONDA'S GOT AN EX YOU NEED TO CHECK OUT. 271 00:13:25,456 --> 00:13:26,544 FRED. 272 00:13:26,588 --> 00:13:28,677 NO, THESE PEOPLE NEED TO KNOW, LAURA. 273 00:13:28,720 --> 00:13:29,896 RANDALL GILMAN. 274 00:13:29,939 --> 00:13:32,289 RHONDA DIVORCED THAT S.O.B. LAST SUMMER, 275 00:13:32,333 --> 00:13:34,552 AND WHEN SHE GOT CUSTODY OF SOPHIA, 276 00:13:34,596 --> 00:13:36,424 HE SAID HE WAS GONNA MAKE HER PAY. 277 00:13:36,467 --> 00:13:37,555 THAT'S NOT WHAT HE MEANT BY THAT. 278 00:13:37,599 --> 00:13:39,906 NO, NO, EXACT WORDS. MAKE HER PAY. 279 00:13:39,949 --> 00:13:41,733 EXCUSE ME, MR. AND MRS. KIRKMAN. 280 00:13:41,777 --> 00:13:43,561 RHONDA'S STILL IN SURGERY, 281 00:13:43,605 --> 00:13:45,607 BUT IF YOU WANT TO SEE YOUR GRANDDAUGHTER FOR A FEW MINUTES, 282 00:13:45,650 --> 00:13:47,435 COME WITH ME. 283 00:13:50,960 --> 00:13:53,920 OH, MY GOD, SOPHIA. 284 00:13:57,924 --> 00:13:59,839 PLEASE FIND WHO DID THIS. 285 00:14:01,275 --> 00:14:02,972 PLEASE. 286 00:14:06,889 --> 00:14:09,022 OK, SO WE SPOKE TO RHONDA'S NEIGHBORS, 287 00:14:09,065 --> 00:14:11,415 AND THEY ECHO WHAT PEOPLE SAID ABOUT THE PREVIOUS VICTIMS-- 288 00:14:11,459 --> 00:14:12,895 QUIET AND WELL LIKED. 289 00:14:12,939 --> 00:14:14,636 YEAH, SHE WORKED A NORMAL JOB, 290 00:14:14,679 --> 00:14:16,246 MIDDLE OF THE ROAD POLITICS, 291 00:14:16,290 --> 00:14:18,553 NOT INVOLVED IN ANY CONTROVERSIAL CAUSES. 292 00:14:18,596 --> 00:14:20,990 OK, SO WE HAVE NO OBVIOUS SHARED IDEOLOGY AMONG THE VICTIMS 293 00:14:21,034 --> 00:14:22,992 THAT MIGHT HAVE ANGERED OUR UNSUB. 294 00:14:23,036 --> 00:14:24,776 WELL, MAYBE IT'S AN INTERNAL IDEOLOGY 295 00:14:24,820 --> 00:14:26,213 UNIQUE TO HIM. 296 00:14:26,256 --> 00:14:28,476 YOU KNOW, THEY CROSSED SOME LINE ONLY HE UNDERSTANDS. 297 00:14:28,519 --> 00:14:30,304 IT'S RARE WITH BOMBERS, 298 00:14:30,347 --> 00:14:32,567 BUT MAYBE OUR KILLER'S CHOOSING HIS VICTIMS RANDOMLY. 299 00:14:32,610 --> 00:14:34,482 JJ SAID RHONDA HAD AN EX WE WERE LOOKING AT. 300 00:14:34,525 --> 00:14:36,310 LOOKED AT AND CLEARED. SOLID ALIBI. 301 00:14:36,353 --> 00:14:38,529 AND HE HAD NO MOTIVE TO KILL THE OTHER TWO VICTIMS. 302 00:14:38,573 --> 00:14:40,140 SO WE'RE BACK TO SQUARE ONE. 303 00:14:40,183 --> 00:14:41,924 [SIGHS] 304 00:14:41,968 --> 00:14:43,883 REID'S WORKING UP A GEO PROFILE, 305 00:14:43,926 --> 00:14:45,406 BUT FOR NOW, IT'S ANYONE'S GUESS 306 00:14:45,449 --> 00:14:47,669 WHERE OUR UNSUB WILL STRIKE NEXT. 307 00:14:54,154 --> 00:14:56,634 [CAR ENGINE STARTS] 308 00:15:11,736 --> 00:15:14,783 JAREAU: SO IT LOOKS LIKE THIS RESISTS TRADITIONAL GEO PROFILING. 309 00:15:14,826 --> 00:15:16,872 ATTACK SITES ARE OFTEN LIKE SPOKES 310 00:15:16,916 --> 00:15:18,961 EMANATING FROM A SINGLE HUB, BUT THAT ISN'T THE CASE HERE. 311 00:15:19,005 --> 00:15:20,963 IT'S MORE RANDOM, SCATTERSHOT. 312 00:15:21,007 --> 00:15:23,400 I THINK THE UNSUB LIVES IN A DIFFERENT PART OF THE COUNTRY ALTOGETHER. 313 00:15:23,444 --> 00:15:26,621 THAT MIGHT BE WHY HE'S RELUCTANT TO MAIL HIS PACKAGES. 314 00:15:26,664 --> 00:15:27,796 HE'S OUT OF HIS ELEMENT. 315 00:15:27,839 --> 00:15:29,189 JAREAU: HE'S ALSO SADISTIC. 316 00:15:29,232 --> 00:15:32,322 HE WANTS TO WATCH HIS VICTIMS DIE WITH HIS OWN EYES. 317 00:15:32,366 --> 00:15:34,107 AGENTS? 318 00:15:34,150 --> 00:15:38,024 I WENT TO THE POST OFFICE TO PICK UP RHONDA'S MAIL, 319 00:15:38,067 --> 00:15:40,243 AND... 320 00:15:42,071 --> 00:15:43,986 ALVEZ: "YOUR PRESENCE IS REQUESTED 321 00:15:44,030 --> 00:15:46,119 "AT THE FUNERAL OF RHONDA KIRKMAN. 322 00:15:46,162 --> 00:15:48,034 FUN AND GAMES TO FOLLOW." 323 00:15:48,077 --> 00:15:50,906 THIS WAS ENCLOSED. 324 00:15:54,214 --> 00:15:56,216 [VEHICLE APPROACHING] 325 00:16:10,012 --> 00:16:12,145 [CAR DOOR OPENS, CLOSES] 326 00:16:19,065 --> 00:16:20,544 [CAMERA SHUTTER CLICKS] 327 00:16:55,623 --> 00:16:56,798 WE CONTACTED THE FAMILY MEMBERS 328 00:16:56,841 --> 00:16:58,234 OF THE FIRST TWO BOMBING VICTIMS. 329 00:16:58,278 --> 00:17:00,062 THEY FOUND POSTHUMOUS FUNERAL NOTICES 330 00:17:00,106 --> 00:17:01,107 IN THE MAIL AS WELL. 331 00:17:01,150 --> 00:17:02,151 SAME MESSAGE? 332 00:17:02,195 --> 00:17:04,110 "FUN AND GAMES TO FOLLOW." 333 00:17:04,153 --> 00:17:05,589 WELL, LET'S JUST HOPE IT'S A TAUNT 334 00:17:05,633 --> 00:17:08,201 AND NOT A WARNING OF THINGS TO COME.[CELLPHONE RINGS] 335 00:17:08,244 --> 00:17:10,072 MATT, HOW ARE THINGS GOING ON THE HOME FRONT? 336 00:17:10,116 --> 00:17:11,334 SO FAR SO GOOD. 337 00:17:11,378 --> 00:17:14,120 AND HOW'D THAT MICHELIN-STARRED MEAL PAN OUT? 338 00:17:14,163 --> 00:17:17,079 WELL, IT'S HARD TO GO WRONG WITH PEPPERONI AND CHEESE. 339 00:17:17,123 --> 00:17:19,603 SO LISTEN, I TOOK ANOTHER LOOK AT THE EVIDENCE 340 00:17:19,647 --> 00:17:22,084 FROM THE RHONDA KIRKMAN CRIME SCENE. 341 00:17:22,128 --> 00:17:25,348 AND WHILE THE DIMENSIONS OF THE DEVICE LOOK THE SAME AS THE PREVIOUS BOMBS-- 342 00:17:25,392 --> 00:17:27,089 HEIGHT, WIDTH, AND LENGTH-- 343 00:17:27,133 --> 00:17:30,136 THE ACTUAL BLAST RADIUS HAD DIMINISHED BY ALMOST HALF. 344 00:17:30,179 --> 00:17:33,269 THE THING IS, I'M NOT SEEING ANYTHING THAT SUGGESTS A MISFIRE. 345 00:17:33,313 --> 00:17:36,490 SO HE DELIBERATELY MADE THE BOMB LESS POWERFUL? 346 00:17:36,533 --> 00:17:37,882 AND LESS DEADLY. 347 00:17:37,926 --> 00:17:40,102 THE SHRAPNEL FROM THE FIRST TWO BOMBS WERE NASTY-- 348 00:17:40,146 --> 00:17:42,235 THUMBTACKS, RAZORS, NAILS-- 349 00:17:42,278 --> 00:17:44,672 BUT RHONDA'S BOMB WAS FILLED WITH BALL BEARINGS, 350 00:17:44,715 --> 00:17:47,283 SMALL ONES, LIKE BB GUN PELLETS. 351 00:17:47,327 --> 00:17:50,417 INCREASING THE CHANCE THAT RHONDA AND SOPHIA WOULD SURVIVE. 352 00:17:50,460 --> 00:17:54,203 I DON'T KNOW WHY HE'D DO THIS EXCEPT TO PROLONG THE TRAUMA. 353 00:17:54,247 --> 00:17:58,425 IF THEY DON'T SURVIVE, HOW CAN THEY SUFFER? THANKS, MATT. 354 00:17:58,468 --> 00:18:01,689 ANOTHER BOMB JUST WENT OFF ABOUT AN HOUR SOUTH OF HERE. 355 00:18:01,732 --> 00:18:05,301 ONE CONFIRMED FATALITY. ATF IS ON SITE. IT LOOKS LIKE OUR GUY. 356 00:18:05,345 --> 00:18:08,348 BACK-TO-BACK ATTACKS ON CONSECUTIVE DAYS. HE'S ACCELERATING. 357 00:18:08,391 --> 00:18:10,480 LAW ENFORCEMENT'S BREATHING DOWN HIS NECK. 358 00:18:10,524 --> 00:18:13,135 HE MUST KNOW HIS WINDOW TO WREAK HAVOC IS CLOSING. 359 00:18:13,179 --> 00:18:14,832 APPARENTLY OUR UNSUB'S BACK IN THE SADDLE. 360 00:18:14,876 --> 00:18:16,399 THIS BLAST WAS FULL OCTANE, 361 00:18:16,443 --> 00:18:18,097 SO WHATEVER THE HICCUP WAS WITH RHONDA KIRKMAN, 362 00:18:18,140 --> 00:18:20,186 HE FIXED IT. 363 00:18:55,264 --> 00:18:56,831 MAN: NOT LAUGHING NOW, ARE YOU? 364 00:18:56,874 --> 00:18:59,442 NOT SO FUNNY, HUH? 365 00:18:59,486 --> 00:19:00,400 I DON'T HEAR YOU LAUGHING. 366 00:19:00,443 --> 00:19:01,792 AAH! 367 00:19:01,836 --> 00:19:03,011 [SCREAMING] 368 00:19:03,054 --> 00:19:04,143 WHAT'S SO FUNNY? 369 00:19:04,186 --> 00:19:06,188 STOP! NO! 370 00:19:06,232 --> 00:19:08,408 [WOMAN SCREAMS] 371 00:19:08,451 --> 00:19:09,496 MOM! 372 00:19:09,539 --> 00:19:10,801 HELP ME! 373 00:19:10,845 --> 00:19:14,283 [GRUNTS] 374 00:19:17,330 --> 00:19:19,288 PRENTISS: OK. 375 00:19:19,332 --> 00:19:21,464 GARCIA STILL CAN'T FIND A LINK BETWEEN THE VICTIMS. 376 00:19:21,508 --> 00:19:23,292 MAYBE WE'RE LOOKING IN THE WRONG PLACE. 377 00:19:23,336 --> 00:19:24,641 WHAT ARE YOU THINKING? 378 00:19:24,685 --> 00:19:26,339 THERE'S NO LOGIC IN SENDING FUNERAL NOTICES 379 00:19:26,382 --> 00:19:28,167 TO PEOPLE HE ALREADY KILLED. 380 00:19:28,210 --> 00:19:29,864 I THINK THEY WERE MEANT FOR SOMEBODY ELSE. 381 00:19:29,907 --> 00:19:31,822 THAT'S WHY GARCIA'S COMING UP EMPTY. 382 00:19:31,866 --> 00:19:34,390 THE CONNECTION HERE ISN'T AMONG THE VICTIMS, 383 00:19:34,434 --> 00:19:36,827 BUT IN THE POOL OF SURVIVING LOVED ONES. 384 00:19:36,871 --> 00:19:37,915 EXACTLY. 385 00:19:37,959 --> 00:19:39,178 COUPLE OF HOURS AGO, POLICE RESPONDED 386 00:19:39,221 --> 00:19:40,527 TO A NOISE COMPLAINT IN MILLINGTON, 387 00:19:40,570 --> 00:19:41,963 ABOUT 10 MILES NORTH OF HERE. 388 00:19:42,006 --> 00:19:43,747 THEY FOUND A BLOWN-UP SHED IN A FIELD. 389 00:19:43,791 --> 00:19:46,489 THERE WAS A MALE CADAVER INSIDE. 390 00:19:46,533 --> 00:19:49,100 [BELL DINGING] 391 00:19:50,493 --> 00:19:53,975 I JUST WANTED TO SEE THAT STUNNINGLY HANDSOME FACE 392 00:19:54,018 --> 00:19:57,283 AND ADMIRE THOSE BROAD, SQUARED OFF SHOULDERS. 393 00:19:57,326 --> 00:19:58,588 NO. 394 00:19:58,632 --> 00:19:59,763 NO WHAT? 395 00:19:59,807 --> 00:20:01,678 NO, YOU CAN'T GET UP AND MOVE AROUND 396 00:20:01,722 --> 00:20:02,766 FOR JUST 5 MINUTES. 397 00:20:02,810 --> 00:20:04,028 KRISTY: FINE. 398 00:20:04,072 --> 00:20:05,465 HOW'S THE BOARD GAME GOING? 399 00:20:05,508 --> 00:20:07,162 LABOR INTENSIVE. 400 00:20:07,206 --> 00:20:09,251 FOR STARTERS, THE INSTRUCTIONS ARE IN THAI. 401 00:20:09,295 --> 00:20:11,558 THEN THE DICE TURNED OUT JUST TO BE BLANK CUBES 402 00:20:11,601 --> 00:20:13,647 THAT YOU HAVE TO LICK AND STICK DOTS ON BY HAND. 403 00:20:13,690 --> 00:20:14,778 [SCOFFS] YOU'RE KIDDING. 404 00:20:14,822 --> 00:20:16,084 NO, AND IT TOOK US HALF AN HOUR, 405 00:20:16,127 --> 00:20:17,564 THEN THE VERY FIRST ROLL, THEY JUST 406 00:20:17,607 --> 00:20:18,565 [ROLLS TONGUE] 407 00:20:18,608 --> 00:20:20,088 FLUTTERED OFF LIKE CONFETTI. 408 00:20:20,131 --> 00:20:23,613 SO NOW JAKE'S TRYING TO DRAW THEM ON WITH A PEN, 409 00:20:23,657 --> 00:20:26,399 BUT THE INK WON'T STICK. 410 00:20:27,574 --> 00:20:29,576 SOMETHING ELSE IS BOTHERING YOU. 411 00:20:31,882 --> 00:20:33,449 UHH. 412 00:20:36,452 --> 00:20:38,280 WE HAVE A LITTLE GIRL IN TENNESSEE 413 00:20:38,324 --> 00:20:39,499 WHO'S FIGHTING FOR HER LIFE. 414 00:20:42,328 --> 00:20:43,503 SOMETIMES I WISH I COULD JUST... 415 00:20:43,546 --> 00:20:44,547 [SNAP] 416 00:20:44,591 --> 00:20:46,288 SNAP MY FINGERS AND MAKE ALL THE BAD 417 00:20:46,332 --> 00:20:47,550 IN THE WORLD GO AWAY. 418 00:20:47,594 --> 00:20:49,509 LILY: DAD! OH! 419 00:20:49,552 --> 00:20:51,337 THEY'RE PLAYING MY SONG. 420 00:20:51,380 --> 00:20:53,513 [CHILDREN PLAYING] 421 00:20:53,556 --> 00:20:54,427 I LOVE YOU. 422 00:20:54,470 --> 00:20:57,430 NOW GO OUT THERE AND SHOW THEM 423 00:20:57,473 --> 00:20:58,779 HOW TO DO IT OLD SCHOOL. 424 00:20:58,822 --> 00:21:00,259 OK. 425 00:21:00,302 --> 00:21:01,782 WILL DO. 426 00:21:01,825 --> 00:21:03,610 CHLOE: WHAT DID YOU DO? 427 00:21:03,653 --> 00:21:05,438 LILY: I DIDN'T DO ANYTHING! 428 00:21:05,481 --> 00:21:07,483 [DOOR CLOSES] 429 00:21:07,527 --> 00:21:09,180 OK. 430 00:21:11,618 --> 00:21:13,141 IS EVERYTHING OK, DAD? 431 00:21:13,184 --> 00:21:15,404 YEAH, EVERYTHING'S FINE, SON. 432 00:21:15,448 --> 00:21:20,670 OK, LET'S START WITH LILY. 433 00:21:20,714 --> 00:21:23,586 JAKE: I THINK WE NEED TO FIND ANOTHER GAME. 434 00:21:23,630 --> 00:21:25,936 THERE'S NOTHING ON THE DICE. 435 00:21:25,980 --> 00:21:28,287 OF COURSE THERE IS. 436 00:21:28,330 --> 00:21:30,506 YOU'RE JUST NOT LOOKING HARD ENOUGH. 437 00:21:30,550 --> 00:21:33,683 OK. ALL RIGHT, LILY. 438 00:21:37,818 --> 00:21:39,298 5. 439 00:21:40,473 --> 00:21:42,039 THANK YOU SO MUCH FOR COMING IN. 440 00:21:42,083 --> 00:21:44,085 THEY SAID YOU WANTED US TO TAKE A LOOK AT SOME PICTURES. 441 00:21:44,128 --> 00:21:46,522 IF YOU DON'T MIND, THEY'RE RIGHT IN HERE. 442 00:21:58,360 --> 00:21:59,970 LAURA: I DON'T RECOGNIZE ANY OF THESE PEOPLE. 443 00:22:00,014 --> 00:22:01,189 ME, NEITHER. 444 00:22:01,232 --> 00:22:02,408 REID: TAKE YOUR TIME. 445 00:22:02,451 --> 00:22:03,626 TRY FOCUSING ON ONE GROUP 446 00:22:03,670 --> 00:22:05,367 BEFORE MOVING ON TO THE NEXT. 447 00:22:05,411 --> 00:22:06,716 FRED: WHO ARE THEY, ANYWAY? 448 00:22:06,760 --> 00:22:10,459 FAMILY MEMBERS OF THE OTHER 3 VICTIMS, LIKE YOU. 449 00:22:10,503 --> 00:22:13,593 SO I THINK-- 2, 3, 4-- 450 00:22:13,636 --> 00:22:17,248 LILY HAS 8 TO WIN. 451 00:22:17,292 --> 00:22:19,468 YEAH, BUT 2, 6, OR 7, 452 00:22:19,512 --> 00:22:20,643 AND YOU'RE DEAD. 453 00:22:22,384 --> 00:22:24,168 NO PRESSURE. 454 00:22:24,212 --> 00:22:25,735 HERE YOU GO. 455 00:22:25,779 --> 00:22:27,041 [BLOWS] 456 00:22:27,084 --> 00:22:29,260 [BLOWS] 457 00:22:34,614 --> 00:22:35,615 8! 458 00:22:35,658 --> 00:22:36,746 [ALL CHEERING] 459 00:22:36,790 --> 00:22:37,965 WE HAVE A WINNER! 460 00:22:38,008 --> 00:22:39,053 NICE! 461 00:22:39,096 --> 00:22:41,055 YES! 462 00:22:51,065 --> 00:22:52,240 I'LL BE DAMNED. 463 00:22:52,283 --> 00:22:53,459 FRED. 464 00:22:53,502 --> 00:22:55,417 FRED: YEAH. 465 00:22:56,853 --> 00:22:58,942 HOW DID YOU DO THIS? 466 00:23:01,554 --> 00:23:03,338 REID: HOW DO YOU KNOW THESE PEOPLE? 467 00:23:03,382 --> 00:23:05,601 WE MET ON A CRUISE LAST MONTH. 468 00:23:05,645 --> 00:23:08,125 WENT UP THE ST. LAWRENCE RIVER IN CANADA. 469 00:23:08,169 --> 00:23:10,214 YEAH, THE BOAT DOCKED FOR THE DAY IN MONTREAL, 470 00:23:10,258 --> 00:23:12,434 AND THE 5 OF US DECIDED TO RENT A CAR, 471 00:23:12,478 --> 00:23:15,219 GO DRIVE AROUND THE COUNTRYSIDE ON OUR OWN. 472 00:23:17,221 --> 00:23:18,266 SO HERE'S WHAT WE KNOW. 473 00:23:18,309 --> 00:23:21,443 THESE 5 PEOPLE RENTED A CAR TOGETHER 474 00:23:21,487 --> 00:23:23,750 IN MONTREAL ON OCTOBER 2. 475 00:23:23,793 --> 00:23:25,099 AND WITHIN WEEKS, 476 00:23:25,142 --> 00:23:26,666 ALL OF THEM HAD LOVED ONES 477 00:23:26,709 --> 00:23:28,145 WHO WERE ATTACKED BY OUR UNSUB-- 478 00:23:28,189 --> 00:23:30,626 JOSEPH AINSWORTH, COLIN'S FATHER, 479 00:23:30,670 --> 00:23:33,368 SHEILA STECHER, THE SISTER OF WANDA, 480 00:23:33,412 --> 00:23:35,675 AND JOEL REYNOLDS, MEG'S FATHER. 481 00:23:35,718 --> 00:23:37,851 AND THIS IS THE ROUTE THEY TOOK. 482 00:23:37,894 --> 00:23:40,680 THEY STOPPED FOR LUNCH, THEN WENT BACK TO THE BOAT. 483 00:23:40,723 --> 00:23:42,812 SOMEWHERE ALONG THE WAY, THEY ENCOUNTERED THE UNSUB. 484 00:23:42,856 --> 00:23:43,857 MUST HAVE. 485 00:23:43,900 --> 00:23:45,336 WE SHOULD BRING FRED AND LAURA IN 486 00:23:45,380 --> 00:23:46,729 FOR A COGNITIVE WITH DAVE. 487 00:23:46,773 --> 00:23:48,775 WE SHOULD ALSO PLACE THEM IN PROTECTIVE CUSTODY. 488 00:23:48,818 --> 00:23:51,430 WE DON'T KNOW WHO'S NEXT, BUT THIS UNSUB ISN'T FINISHED. 489 00:23:51,473 --> 00:23:54,476 OK, DO YOU REMEMBER THE MALE CADAVER 490 00:23:54,520 --> 00:23:55,738 THEY RETRIEVED FROM THAT SHED? 491 00:23:55,782 --> 00:23:57,784 NOT THE SORT OF THING ONE FORGETS. 492 00:23:57,827 --> 00:24:00,439 WELL, ALLOW ME TO MAKE HIM A LITTLE MORE UNFORGETTABLE. 493 00:24:00,482 --> 00:24:03,572 TURNS OUT OUR BOY WAS WEARING A BRIGHT YELLOW DRESS, 494 00:24:03,616 --> 00:24:06,140 AND THEY RETRIEVED VINTAGE LADY'S SUNGLASSES. 495 00:24:06,183 --> 00:24:08,751 SO THE UNSUB DRESSED HIM UP TO RESEMBLE A WOMAN-- 496 00:24:08,795 --> 00:24:09,796 A SURROGATE. 497 00:24:09,839 --> 00:24:11,624 AND THEN BLEW HIM TO SMITHEREENS-- 498 00:24:11,667 --> 00:24:13,452 OVERKILL. 499 00:24:13,495 --> 00:24:15,584 YEAH, THIS GUY'S APPROACHING THE ULTIMATE SOURCE OF HIS RAGE. 500 00:24:15,628 --> 00:24:17,020 WE COULD BE LOOKING AT AN END GAME HERE. 501 00:24:17,064 --> 00:24:19,458 OK, LUKE, GET DOWN TO THE HOSPITAL, BEEF UP SECURITY. 502 00:24:19,501 --> 00:24:21,460 GOT IT. 503 00:24:21,503 --> 00:24:23,462 GETTING SOME COFFEE. WANT SOME? 504 00:24:23,505 --> 00:24:24,637 MM-MMM. 505 00:24:24,680 --> 00:24:26,595 [TELEPHONE RINGS] 506 00:24:26,639 --> 00:24:28,554 [INDISTINCT P.A. ANNOUNCEMENTS] 507 00:24:39,173 --> 00:24:40,653 VISITING SOMEONE? 508 00:24:40,696 --> 00:24:45,005 YEAH, MY, UH, DAUGHTER AND GRANDDAUGHTER. 509 00:24:48,095 --> 00:24:50,663 UNSUB: I'M HERE FOR MY MOM. 510 00:24:50,706 --> 00:24:51,794 SHE WAS IN AN ACCIDENT. 511 00:24:51,838 --> 00:24:53,666 OH, I'M SORRY. 512 00:24:53,709 --> 00:24:57,670 I'M HOPING MAYBE THIS MIGHT CHEER HER UP. 513 00:24:57,713 --> 00:25:00,542 I'M SURE IT WILL. 514 00:25:00,586 --> 00:25:01,717 WHICH DOCTOR DO YOU GUYS HAVE, 515 00:25:01,761 --> 00:25:03,371 UM, YOUR DAUGHTER AND GRANDDAUGHTER? 516 00:25:03,414 --> 00:25:04,764 DR. DELANEY. 517 00:25:04,807 --> 00:25:06,374 THAT'S MY MOM'S DOCTOR, TOO, ACTUALLY. 518 00:25:06,417 --> 00:25:07,767 EVERYONE SAYS HE'S AMAZING. 519 00:25:07,810 --> 00:25:09,551 GOOD. 520 00:25:09,595 --> 00:25:10,987 YOU HAVE A NICE EVENING. 521 00:25:11,031 --> 00:25:12,249 YOU, TOO. 522 00:25:15,862 --> 00:25:17,298 ALL RIGHT, LET'S SEE IF YOU CAN HAVE 523 00:25:17,341 --> 00:25:19,735 ONE OF YOUR OFFICERS POST UP HERE IN THE WAITING ROOM. 524 00:25:21,911 --> 00:25:23,478 I DON'T WANT ANYBODY GOING INTO THIS ROOM 525 00:25:23,522 --> 00:25:25,045 THAT'S NOT AUTHORIZED MEDICAL PERSONNEL, 526 00:25:25,088 --> 00:25:26,655 NO EXCEPTIONS. 527 00:25:26,699 --> 00:25:28,178 WE'RE GONNA NEED A POLICE OFFICER 528 00:25:28,222 --> 00:25:29,702 TO TAKE MR. AND MRS. KIRKMAN DOWN TO THE POLICE STATION, 529 00:25:29,745 --> 00:25:31,225 MAKE SURE THAT THEY UNDERSTAND WHAT'S GOING ON. 530 00:25:31,268 --> 00:25:32,835 OFFICER: YES, SIR. 531 00:25:32,879 --> 00:25:34,576 WHAT'S THAT? 532 00:25:34,620 --> 00:25:36,056 I DON'T KNOW. IT WASN'T THERE 533 00:25:36,099 --> 00:25:37,840 WHEN I MADE MY ROUNDS A MINUTE AGO. 534 00:25:37,884 --> 00:25:39,886 GET THE PATIENT OUT OF HERE NOW, 535 00:25:39,929 --> 00:25:41,409 AND CLEAR THIS ENTIRE FLOOR NOW. 536 00:25:41,452 --> 00:25:42,628 SHOULDN'T WE WAIT UNTIL THE BOMB SQUAD GETS HERE? 537 00:25:42,671 --> 00:25:44,107 NO, THERE'S NO TIME. 538 00:25:44,151 --> 00:25:46,588 HE'S USING A REMOTE. 539 00:25:46,632 --> 00:25:48,895 ALVEZ: LET'S GO. GET HER OUT. 540 00:25:56,163 --> 00:25:58,165 [BEEPING] 541 00:26:05,955 --> 00:26:07,304 HANG ON A SECOND. JJ's WALKING IN. 542 00:26:07,348 --> 00:26:08,523 DOES ANYBODY KNOW WHAT HAPPENED? 543 00:26:08,567 --> 00:26:09,698 NO, LUKE WAS THERE, 544 00:26:09,742 --> 00:26:10,743 AND THEN EVERYBODY STARTED EVACUATING, 545 00:26:10,786 --> 00:26:12,353 AND THEN NO ONE WAS THERE BUT LUKE, 546 00:26:12,396 --> 00:26:13,789 AND I DON'T KNOW WHAT HAPPENED TO HIM. 547 00:26:13,833 --> 00:26:15,008 THE HOSPITAL'S ON LOCKDOWN, 548 00:26:15,051 --> 00:26:16,313 BUT THERE'S NO SIGNS OF AN EXPLOSION. 549 00:26:16,357 --> 00:26:18,359 EMILY AND DAVE SHOULD BE THERE BY NOW. 550 00:26:18,402 --> 00:26:19,621 I'LL LET YOU KNOW IF I FIND ANYTHING. 551 00:26:19,665 --> 00:26:20,753 YOU LET ME KNOW IF YOU FIND ANYTHING, 552 00:26:20,796 --> 00:26:22,711 BUT WE NEED TO FIND SOMETHING. 553 00:26:22,755 --> 00:26:24,800 [INDISTINCT POLICE RADIO CHATTER] 554 00:26:30,066 --> 00:26:31,590 LUKE, ARE YOU OK? 555 00:26:31,633 --> 00:26:33,635 I'M FINE. 556 00:26:33,679 --> 00:26:35,811 I WON'T NEED ANY CAFFEINE FOR A WHILE, THOUGH. 557 00:26:35,855 --> 00:26:37,770 DID IT MISFIRE? 558 00:26:37,813 --> 00:26:38,901 NO, IT WAS NEVER RIGGED TO GO OFF. 559 00:26:38,945 --> 00:26:40,686 I THINK IT WAS JUST FOR SHOW. 560 00:26:44,080 --> 00:26:47,083 JAREAU: HE CAME OUT OF SOPHIA'S ROOM. HE'S GOT TO BE OUR GUY. 561 00:26:47,127 --> 00:26:48,824 LAURA ALREADY ID'd HIM AS THE MAN WHO SAT 562 00:26:48,868 --> 00:26:50,565 AND TALKED WITH HER IN THE WAITING ROOM. 563 00:26:50,609 --> 00:26:51,871 SHE'D NEVER SEEN HIM BEFORE? 564 00:26:51,914 --> 00:26:53,655 NOPE, NOT HERE, NOT IN CANADA. 565 00:26:53,699 --> 00:26:55,091 IF THE UNSUB'S GOAL ALL THIS TIME HAS BEEN 566 00:26:55,135 --> 00:26:57,006 TO PUNISH AND EVENTUALLY KILL RHONDA AND HER DAUGHTER, 567 00:26:57,050 --> 00:26:59,052 HE JUST HAD HIS BEST CHANCE TO FINISH THE JOB. 568 00:26:59,095 --> 00:27:00,531 WHY DIDN'T HE TAKE IT? 569 00:27:00,575 --> 00:27:02,621 THE SAME REASON HE MADE THEIR INITIAL BOMB LESS LETHAL. 570 00:27:02,664 --> 00:27:05,145 HE WANTS THEM TO SURVIVE IN ORDER TO SUFFER, 571 00:27:05,188 --> 00:27:06,320 STRING OUT THE PAIN. 572 00:27:06,363 --> 00:27:08,104 WHY ONLY THEM, NOT THE OTHER VICTIMS? 573 00:27:08,148 --> 00:27:09,279 WE'RE MISSING SOMETHING. 574 00:27:09,323 --> 00:27:10,672 WELL, DAVE'S ABOUT TO START HIS COGNITIVE 575 00:27:10,716 --> 00:27:11,673 WITH FRED KIRKMAN. 576 00:27:11,717 --> 00:27:13,240 MAYBE WE'LL FIND SOME ANSWERS THERE. 577 00:27:14,502 --> 00:27:16,330 YOU RENTED A CAR IN MONTREAL 578 00:27:16,373 --> 00:27:18,114 AND YOU LEFT RIGHT AWAY. 579 00:27:18,158 --> 00:27:19,768 YEAH. 580 00:27:19,812 --> 00:27:22,728 EVERYBODY WANTED TO GO SEE THE LEAVES CHANGING. 581 00:27:22,771 --> 00:27:24,425 DID YOU STOP ALONG THE WAY? 582 00:27:24,468 --> 00:27:25,905 YEAH, LOTS OF TIMES. 583 00:27:25,948 --> 00:27:27,907 EVERYBODY HAD TO GET OUT AND TAKE PICTURES. 584 00:27:27,950 --> 00:27:30,910 WELL, WHERE DID YOU STOP FOR LUNCH? 585 00:27:30,953 --> 00:27:34,870 A LITTLE MOM AND POP TYPE PLACE OFF BY ITSELF. 586 00:27:36,393 --> 00:27:39,832 NOW PICTURE THE MAN YOUR WIFE TALKED TO AT THE HOSPITAL. 587 00:27:39,875 --> 00:27:41,747 IS HE THERE? 588 00:27:43,009 --> 00:27:44,271 COULD HAVE BEEN AN EMPLOYEE 589 00:27:44,314 --> 00:27:46,447 OR SOMEONE ELSE WHO WAS HAVING LUNCH. 590 00:27:48,841 --> 00:27:50,669 NO. UH-UH. 591 00:27:51,844 --> 00:27:54,847 ALL RIGHT, UM, AFTER LUNCH, 592 00:27:54,890 --> 00:27:58,459 THEN WHAT, YOU DROVE BACK TO RETURN THE CAR? 593 00:27:58,502 --> 00:28:00,113 YES, I WAS NERVOUS WE'D BE LATE 594 00:28:00,156 --> 00:28:01,897 GETTING BACK TO THE CRUISE SHIP. 595 00:28:04,944 --> 00:28:09,949 WERE YOU FEELING ANXIOUS ABOUT THAT DURING LUNCH? 596 00:28:09,992 --> 00:28:11,820 NO. 597 00:28:11,864 --> 00:28:15,519 THEN WHAT HAPPENED TO MAKE YOU START WORRYING? 598 00:28:15,563 --> 00:28:18,218 I DON'T KNOW. UH... 599 00:28:18,261 --> 00:28:19,741 WAIT, I REMEMBER NOW. 600 00:28:19,785 --> 00:28:22,657 THIS OTHER GUY THAT WAS WITH US, 601 00:28:22,701 --> 00:28:26,966 WE WERE PRACTICALLY BACK TO MONTREAL, 602 00:28:27,009 --> 00:28:30,317 MAYBE 10 MINUTES AWAY, UH, 603 00:28:30,360 --> 00:28:32,885 HE MADE US STOP AND TAKE ANOTHER PICTURE. 604 00:28:32,928 --> 00:28:36,410 OTHER GUY, AS IN COLIN AINSWORTH? 605 00:28:36,453 --> 00:28:38,586 YEAH, I GUESS THAT WAS HIS NAME, YEAH. 606 00:28:38,629 --> 00:28:41,371 WHAT DID COLIN WANT TO TAKE A PICTURE OF? 607 00:28:41,415 --> 00:28:45,506 IT WAS...IT WAS JUST THIS HOUSE. 608 00:28:45,549 --> 00:28:47,769 THERE WAS TAPE AROUND IT. 609 00:28:47,813 --> 00:28:49,510 TAPE? YEAH. 610 00:28:49,553 --> 00:28:52,339 YOU MEAN POLICE TAPE? 611 00:28:52,382 --> 00:28:54,907 YEAH. I DIDN'T PAY THAT MUCH ATTENTION, 612 00:28:54,950 --> 00:28:57,518 BUT THIS GUY, THIS COLIN, HE... 613 00:28:57,561 --> 00:28:59,781 HE SAID THE PLACE WAS FAMOUS. 614 00:29:03,829 --> 00:29:06,005 LET'S TAKE A LITTLE BREAK, FRED. 615 00:29:10,313 --> 00:29:12,533 YOU'RE RIGHT, THEY WOULD HAVE GONE RIGHT PAST MANNER STREET. 616 00:29:12,576 --> 00:29:14,491 THAT HAS TO BE IT.I DON'T UNDERSTAND. 617 00:29:14,535 --> 00:29:15,710 WHAT'S MANNER STREET? 618 00:29:15,754 --> 00:29:17,233 A COUPLE OF MONTHS AGO CANADIAN POLICE 619 00:29:17,277 --> 00:29:20,541 FOUND 8 BODIES IN THE BASEMENT OF A HOUSE THERE. 620 00:29:20,584 --> 00:29:21,890 MURDERED? 621 00:29:21,934 --> 00:29:23,239 POISONED. 622 00:29:23,283 --> 00:29:24,937 THE HOMEOWNER RENTED A SPARE ROOM 623 00:29:24,980 --> 00:29:27,766 TO PENSIONERS AND PEOPLE ON DISABILITY, 624 00:29:27,809 --> 00:29:29,942 KILLED THEM, AND KEPT CASHING THEIR GOVERNMENT CHECKS. 625 00:29:29,985 --> 00:29:31,030 WHAT HAPPENED TO THE GUY? 626 00:29:31,073 --> 00:29:32,422 WHEN THE POLICE ZEROED IN, 627 00:29:32,466 --> 00:29:33,902 HE BLEW HIMSELF UP IN FRONT OF HIS HOUSE 628 00:29:33,946 --> 00:29:35,643 USING A HOMEMADE EXPLOSIVE. 629 00:29:35,686 --> 00:29:37,601 GARCIA'S ON IT. WE NEED TO FIND OUT 630 00:29:37,645 --> 00:29:39,778 EVERYTHING ABOUT THE PEOPLE CONNECTED TO THAT CASE-- 631 00:29:39,821 --> 00:29:42,258 THE KILLER, VICTIMS, FRIENDS, AND FAMILY. 632 00:29:42,302 --> 00:29:44,695 LET'S SEE IF I CAN GET SOME MORE FROM FRED. 633 00:29:48,090 --> 00:29:50,353 OK. 634 00:29:50,397 --> 00:29:52,791 LET'S GET BACK TO THE HOUSE. 635 00:29:52,834 --> 00:29:55,271 [CELLPHONE RINGS] 636 00:29:55,315 --> 00:29:56,882 YES? 637 00:29:56,925 --> 00:29:59,623 THIS IS SHE. 638 00:29:59,667 --> 00:30:01,234 WELL, THEY TOLD ME I NEEDED TO STAY HERE 639 00:30:01,277 --> 00:30:03,671 AT THE POLICE DEPARTMENT. 640 00:30:03,714 --> 00:30:06,761 ALL RIGHT, DR. DELANEY. I UNDERSTAND. 641 00:30:06,805 --> 00:30:08,850 I'M ON MY WAY. 642 00:30:12,854 --> 00:30:14,160 HE DIDN'T SAY ANYTHING. 643 00:30:14,203 --> 00:30:16,510 ALL HE WANTED WAS HIS DAMN PICTURE. 644 00:30:16,553 --> 00:30:18,555 HE HAD A REGULAR CAMERA, 645 00:30:18,599 --> 00:30:21,036 NOT ONE OF THOSE-- THOSE PHONE THINGS, 646 00:30:21,080 --> 00:30:22,864 SO HE NEEDED ONE OF US TO TAKE IT. 647 00:30:22,908 --> 00:30:24,648 THANK YOU. 648 00:30:24,692 --> 00:30:26,259 THIS IS SO COOL. 649 00:30:26,302 --> 00:30:27,651 OK. YEAH. 650 00:30:27,695 --> 00:30:28,827 LAURA SAID SHE'D DO IT. 651 00:30:28,870 --> 00:30:30,002 OK. 652 00:30:30,045 --> 00:30:32,265 YOUR WIFE TOOK A PICTURE OF COLIN? 653 00:30:32,308 --> 00:30:33,701 YEAH. 654 00:30:33,744 --> 00:30:35,790 DAMN NEAR BROKE HER ANKLE DOING IT, TOO. 655 00:30:35,834 --> 00:30:36,878 HOW? 656 00:30:36,922 --> 00:30:39,315 THE LAWN WAS ALL OVERGROWN, 657 00:30:39,359 --> 00:30:41,274 AND SHE TRIPPED OVER A CLUMP OF GRASS. 658 00:30:41,317 --> 00:30:42,362 YOU ALL RIGHT? 659 00:30:42,405 --> 00:30:44,451 LAURA: YEAH. 660 00:30:44,494 --> 00:30:47,019 NOW, THIS IS VERY IMPORTANT, MR. KIRKMAN. 661 00:30:47,062 --> 00:30:49,586 I WANT YOU THINK VERY HARD. 662 00:30:49,630 --> 00:30:51,980 WAS THERE ANYBODY ELSE THERE? 663 00:30:53,939 --> 00:30:55,941 WAIT. WAIT, THERE WAS SOMEBODY, 664 00:30:55,984 --> 00:30:57,812 OFF BY HIMSELF, 665 00:30:57,856 --> 00:30:59,248 ON THE OTHER SIDE OF THE YARD, 666 00:30:59,292 --> 00:31:00,902 STANDING NEXT TO A CAR. 667 00:31:00,946 --> 00:31:02,730 HE WAS STARING OVER TOWARDS LAURA. 668 00:31:02,773 --> 00:31:05,472 ROSSI: TOWARDS LAURA OR AT LAURA? 669 00:31:05,515 --> 00:31:07,909 NOT RIGHT AT HER. HE WAS STARING DOWN, 670 00:31:07,953 --> 00:31:09,128 LIKE WHERE SHE WAS WALKING. 671 00:31:09,171 --> 00:31:10,303 WHERE SHE TRIPPED? 672 00:31:10,346 --> 00:31:12,653 YES, WHERE SHE STOMPED ON THE-- 673 00:31:12,696 --> 00:31:14,437 IT WAS A BOUQUET OF FLOWERS. 674 00:31:14,481 --> 00:31:16,613 MR. KIRKMAN, WHAT WAS YOUR WIFE WEARING THAT DAY? 675 00:31:16,657 --> 00:31:18,311 WEARING? UM... 676 00:31:21,792 --> 00:31:23,272 A YELLOW DRESS. 677 00:31:23,316 --> 00:31:26,536 RHONDA AND SOPHIA WERE NEVER THE ULTIMATE TARGETS. 678 00:31:26,580 --> 00:31:29,191 HE'S AFTER LAURA. 679 00:31:29,235 --> 00:31:31,715 WHERE'S MRS. KIRKMAN? 680 00:31:33,979 --> 00:31:36,155 [INDISTINCT POLICE RADIO CHATTER] 681 00:31:39,854 --> 00:31:41,900 [WOMAN WHIMPERS] 682 00:31:57,611 --> 00:31:59,700 [GRUNTING] 683 00:32:01,876 --> 00:32:03,182 [ELECTRICITY CRACKLES][GRUNTS] 684 00:32:03,225 --> 00:32:04,226 [MUFFLED SCREAMS] 685 00:32:08,665 --> 00:32:10,537 MRS. KIRKMAN WAS SUPPOSED TO BE IN POLICE CUSTODY. 686 00:32:10,580 --> 00:32:11,625 WHAT THE HELL HAPPENED? 687 00:32:11,668 --> 00:32:12,974 MISCOMMUNICATION DURING SHIFT CHANGE. 688 00:32:13,018 --> 00:32:15,585 SO APPARENTLY THE UNSUB POSED AS A DOCTOR 689 00:32:15,629 --> 00:32:17,326 TO LURE HER OUT, SAID SHE NEEDED TO SIGN SOME FORMS 690 00:32:17,370 --> 00:32:18,937 AT THE HOSPITAL.[CELLPHONE RINGS] 691 00:32:18,980 --> 00:32:20,286 WHAT IS IT, GARCIA? 692 00:32:20,329 --> 00:32:22,157 I THINK I GOT THE WHO, BUT I DON'T HAVE THE WHERE. 693 00:32:22,201 --> 00:32:23,942 I LOOKED INTO EVERYBODY INVOLVED 694 00:32:23,985 --> 00:32:25,639 IN THE MANNER STREET MURDERS, 695 00:32:25,682 --> 00:32:27,206 AND NOTHING INTERESTING HAS COME UP 696 00:32:27,249 --> 00:32:30,644 UNTIL I GOT TO THE FINAL VICTIM, 697 00:32:30,687 --> 00:32:32,385 SALLY BAKER. 698 00:32:32,428 --> 00:32:34,430 WHAT'S INTERESTING ABOUT HER IS SHE'S A TOTAL BLANK. 699 00:32:34,474 --> 00:32:37,216 WHY IS SHE A BLANK? TURNS OUT SALLY BAKER'S NOT HER NAME, 700 00:32:37,259 --> 00:32:38,695 BUT AUDREY MATTSON. 701 00:32:38,739 --> 00:32:41,089 AN ASSUMED NAME? WHY, WAS SHE IN TROUBLE? 702 00:32:41,133 --> 00:32:42,612 EH, MORE LIKE GETTING OUT OF TROUBLE. 703 00:32:42,656 --> 00:32:45,050 30 YEARS AGO SHE FALLS IN LOVE WITH THIS GUY, KARL BLAIR. 704 00:32:45,093 --> 00:32:48,140 KARL IS A TOTAL DRUNK, HE'S AN ABUSIVE STALKER. 705 00:32:48,183 --> 00:32:49,532 SHE TRIES TO GET AWAY FROM HIM, 706 00:32:49,576 --> 00:32:51,143 THE SYSTEM FAILS HER, SO SHE HAS TO CHANGE HER NAME, 707 00:32:51,186 --> 00:32:53,014 GO UNDERGROUND, MOVE UP TO CANADA. 708 00:32:53,058 --> 00:32:55,625 KARL BLAIR PROFILES TOO OLD TO BE OUR UNSUB, THOUGH. 709 00:32:55,669 --> 00:32:58,889 BUT THEIR 26-YEAR-OLD SON SHELBY DOES NOT. 710 00:32:58,933 --> 00:33:01,240 ACCORDING TO CHILD SERVICES, HE DID EVERYTHING HE COULD 711 00:33:01,283 --> 00:33:02,806 TO TRY TO PROTECT HIS MOM, 712 00:33:02,850 --> 00:33:05,113 BUT UNFORTUNATELY, HE INHERITED HIS FATHER'S VIOLENT NATURE 713 00:33:05,157 --> 00:33:07,028 AND HE'S BEEN IN AND OUT OF JAIL. 714 00:33:07,072 --> 00:33:10,031 HERE IS HIS MOST CURRENT MUG SHOT. 715 00:33:10,075 --> 00:33:11,554 PRENTISS: AND WE DON'T HAVE SHELBY'S ADDRESS? 716 00:33:11,598 --> 00:33:14,253 NO, THAT'S THE ONLY THING I HAVEN'T BEEN ABLE TO FIGURE. 717 00:33:14,296 --> 00:33:16,255 HE WAS BORN IN TEXAS, BUT HE'S BEEN A DRIFTER HIS WHOLE LIFE. 718 00:33:16,298 --> 00:33:17,560 OK, THANKS, GARCIA. 719 00:33:17,604 --> 00:33:19,127 THE MOTHER HE ADORED AND TRIED TO PROTECT 720 00:33:19,171 --> 00:33:20,259 ENDED UP MURDERED ANYWAY. 721 00:33:20,302 --> 00:33:21,086 HE MUST HAVE BROUGHT THE FLOWERS 722 00:33:21,129 --> 00:33:22,348 TO COMMEMORATE THE SPOT. 723 00:33:22,391 --> 00:33:23,653 ONLY TO FIND A GROUP OF LOOKIE-LOOS 724 00:33:23,697 --> 00:33:26,047 USING THE TRAGEDY AS A BACKDROP TO A PHOTO OP, 725 00:33:26,091 --> 00:33:28,484 TRAMPLED HIS FLOWERS, AND CONTINUED ON THEIR MERRY WAY. 726 00:33:28,528 --> 00:33:29,833 SO HE FOUND OUT WHO THEY WERE 727 00:33:29,877 --> 00:33:32,140 AND DECIDED TO GIVE THEM A DOSE OF THE SAME PAIN. 728 00:33:32,184 --> 00:33:35,317 [DIALING] 729 00:33:35,361 --> 00:33:37,319 THIS IS AGENT PRENTISS. 730 00:33:37,363 --> 00:33:38,973 I NEED TO SPEAK WITH THE SECURITY DETAIL 731 00:33:39,017 --> 00:33:41,106 AT THE KIRKMAN CRIME SCENE ASAP. 732 00:33:42,846 --> 00:33:44,152 WHAT IS IT? 733 00:33:44,196 --> 00:33:45,458 THEY'VE BEEN TRYING TO CONTACT THE OFFICER 734 00:33:45,501 --> 00:33:46,937 GUARDING THE CRIME SCENE FOR THE PAST 10 MINUTES. 735 00:33:46,981 --> 00:33:48,243 HE ISN'T RESPONDING. 736 00:33:53,335 --> 00:33:56,295 PLEASE DON'T DO THIS. 737 00:33:56,338 --> 00:33:57,992 UNSUB: HAVE YOU EVER BEEN TO NEW ORLEANS? 738 00:33:58,036 --> 00:33:59,907 LISTEN TO ME. 739 00:33:59,950 --> 00:34:02,257 WELL, WHEN I WAS A KID, I LIVED THERE WITH MY MOM FOR A LITTLE BIT, 740 00:34:02,301 --> 00:34:04,912 LIKE IT WAS RIGHT AFTER KATRINA, LIKE RIGHT AFTER. 741 00:34:04,955 --> 00:34:07,262 I MEAN, THIS PLACE WAS LIKE YOU CAN'T EVEN IMAGINE. 742 00:34:07,306 --> 00:34:10,657 AND, UH, SHE WORKED IN ONE OF THOSE FANCY HOTELS, 743 00:34:10,700 --> 00:34:15,270 AND HER JOB WAS TO PACK THE LUNCHES 744 00:34:15,314 --> 00:34:17,229 FOR THE HOTEL'S DISASTER TOURS. 745 00:34:17,272 --> 00:34:18,795 WHAT--WHAT ARE YOU TALKING ABOUT? 746 00:34:18,839 --> 00:34:20,580 SERIOUSLY. I MEAN, THEY DIDN'T CALL THEM THAT, 747 00:34:20,623 --> 00:34:21,798 BUT THAT'S WHAT THEY WERE, YOU KNOW. 748 00:34:21,842 --> 00:34:25,541 YOU PILE IN A MINIBUS, AND YOU GO GAWK. 749 00:34:25,585 --> 00:34:29,241 BOURBON STREET, CHECK. GARDEN DISTRICT, CHECK. 750 00:34:29,284 --> 00:34:31,678 ITS HUMAN MISERY, DOUBLE CHECK. 751 00:34:31,721 --> 00:34:33,027 PLEASE! 752 00:34:33,071 --> 00:34:34,681 THESE LUNCHES, THEY WERE GOURMET. 753 00:34:34,724 --> 00:34:37,031 YOU KNOW, THEY EVEN HAD LITTLE CHARDONNAY BOTTLES, 754 00:34:37,075 --> 00:34:39,860 YOU KNOW, SOMETHING NICE TO SIP ON DOWN THERE IN THE LOWER NINTH. 755 00:34:39,903 --> 00:34:45,213 HEY, LOOK, THAT'S WHERE SO AND SO DROWNED LIKE A RAT, 756 00:34:45,257 --> 00:34:47,824 NEXT TO THE OLD LADY WHO STARVED TO DEATH! 757 00:34:47,868 --> 00:34:49,609 I DON'T KNOW WHO YOU THINK YOU'RE TALKING TO, 758 00:34:49,652 --> 00:34:51,393 BUT YOU HAVE THE WRONG PERSON. 759 00:34:51,437 --> 00:34:53,743 NO. 760 00:34:53,787 --> 00:34:56,224 I HAVE THE RIGHT PERSON. 761 00:34:56,268 --> 00:34:58,183 BUT THE SAD THING IS THAT I COULD GET 762 00:34:58,226 --> 00:34:59,836 PRETTY MUCH ANY PERSON OFF THE STREET 763 00:34:59,880 --> 00:35:02,491 AND I'D KIND OF HAVE THE RIGHT PERSON, 764 00:35:02,535 --> 00:35:04,319 BECAUSE PEOPLE ARE ALL THE SAME. 765 00:35:04,363 --> 00:35:05,929 EVERYBODY LOVES BAD STUFF 766 00:35:05,973 --> 00:35:07,801 WHEN IT HAPPENS TO SOMEONE ELSE. 767 00:35:07,844 --> 00:35:09,629 IT'S LIKE WHEN THERE'S A CAR CRASH 768 00:35:09,672 --> 00:35:12,893 AND EVERYONE'S GOT TO STOP AND RUBBERNECK. 769 00:35:14,242 --> 00:35:18,246 YOU KNOW, MY MOM SAID THAT, UM, 770 00:35:18,290 --> 00:35:20,509 MAKING THOSE LUNCHES 771 00:35:20,553 --> 00:35:24,296 IS THE MOST SHAMEFUL THING SHE EVER HAD TO DO. 772 00:35:24,339 --> 00:35:26,385 WHAT ARE YOU GONNA DO? 773 00:35:26,428 --> 00:35:28,169 TAKE A PHOTO 774 00:35:28,213 --> 00:35:30,432 AND SCRAPBOOK OF MY OWN. 775 00:35:30,476 --> 00:35:32,130 NO! 776 00:35:32,173 --> 00:35:34,480 [WHIMPERING] NO. 777 00:35:37,265 --> 00:35:38,223 NO. 778 00:35:38,266 --> 00:35:40,007 PRENTISS: SHELBY MATTSON, FBI. 779 00:35:40,050 --> 00:35:41,530 HANDS IN THE AIR NOW! 780 00:35:41,574 --> 00:35:44,098 YOU COME ANY CLOSER AND I'M GONNA RELEASE THIS TRIGGER. 781 00:35:44,142 --> 00:35:46,448 DON'T DO IT. 782 00:35:46,492 --> 00:35:47,623 I RELEASE THIS, 783 00:35:47,667 --> 00:35:49,799 NONE OF US ARE GOING ANYWHERE EVER AGAIN. 784 00:35:49,843 --> 00:35:51,758 [WHIMPERING] 785 00:35:54,456 --> 00:35:56,893 I SWEAR TO GOD! 786 00:35:56,937 --> 00:35:58,330 GO AHEAD. 787 00:35:59,635 --> 00:36:01,028 WHAT? 788 00:36:01,071 --> 00:36:02,812 GO AHEAD. 789 00:36:16,086 --> 00:36:18,611 [GRUNTS] 790 00:36:18,654 --> 00:36:20,482 NEED AN AMBULANCE NOW. 791 00:36:20,526 --> 00:36:21,396 YOU OK? 792 00:36:21,440 --> 00:36:23,572 YEAH, I'M GOOD. 793 00:36:32,929 --> 00:36:34,453 [LAURA WHIMPERING] 794 00:36:34,496 --> 00:36:36,498 [SIRENS APPROACHING] 795 00:36:41,199 --> 00:36:42,983 [MONITORS BEEPING] 796 00:36:43,026 --> 00:36:44,767 [SOPHIA LAUGHS] 797 00:36:48,206 --> 00:36:50,033 RHONDA'S ALSO OUT OF SURGERY. 798 00:36:50,077 --> 00:36:52,384 DOCTOR SAYS THEY'RE BOTH GONNA BE OK. 799 00:36:52,427 --> 00:36:55,300 THAT'S REALLY GREAT NEWS. 800 00:36:55,343 --> 00:36:58,868 SO HOW DID YOU KNOW MATTSON WAS BLUFFING? 801 00:36:58,912 --> 00:37:00,130 I WONDERED THE SAME THING. 802 00:37:00,174 --> 00:37:01,262 WHAT IF THE DEVICE HE WAS HOLDING 803 00:37:01,306 --> 00:37:02,524 HAD BEEN THE ACTUAL DETONATOR. 804 00:37:02,568 --> 00:37:04,744 "FUN AND GAMES TO FOLLOW." 805 00:37:04,787 --> 00:37:08,138 SHELBY MATTSON WASN'T SUICIDAL, HE WAS ON A MISSION. 806 00:37:08,182 --> 00:37:09,444 AND IF WE HADN'T SHOWN UP, 807 00:37:09,488 --> 00:37:12,491 IT WASN'T GONNA END IN RHONDA KIRKMAN'S FRONT YARD. 808 00:37:12,534 --> 00:37:14,319 SOPHIA: ME, TOO, GRANDMA. 809 00:37:14,362 --> 00:37:16,538 I LOVE YOU MORE. 810 00:37:16,582 --> 00:37:18,932 [OPERA MUSIC PLAYING] 811 00:37:20,760 --> 00:37:22,544 JAKE: DAD? 812 00:37:22,588 --> 00:37:24,416 HEY. 813 00:37:24,459 --> 00:37:25,852 WHAT'S UP? 814 00:37:32,467 --> 00:37:34,252 IS MOM GONNA BE OK? 815 00:37:35,775 --> 00:37:37,777 YOUR MOM'S GONNA BE FINE. 816 00:37:37,820 --> 00:37:41,476 SHE'S JUST GETTING STRONG FOR WHEN YOUR NEW 817 00:37:41,520 --> 00:37:43,565 BROTHER OR SISTER SHOWS UP. 818 00:37:46,394 --> 00:37:50,137 YOU REALLY COULDN'T SEE THE NUMBERS ON THE DICE, COULD YOU? 819 00:37:55,577 --> 00:37:57,492 NO. 820 00:37:57,536 --> 00:37:58,841 I COULDN'T. 821 00:37:58,885 --> 00:38:01,540 THAT'LL BE OUR LITTLE SECRET, OK? 822 00:38:03,324 --> 00:38:06,240 BUT, HEY, IT WAS FUN ANYWAY, WASN'T IT? 823 00:38:06,284 --> 00:38:07,328 YEAH. RIGHT? 824 00:38:07,372 --> 00:38:09,287 MM-HMM. YEAH, IT WAS. 825 00:38:09,330 --> 00:38:10,288 YEAH. 826 00:38:10,331 --> 00:38:12,594 [BELL RINGING] 827 00:38:12,638 --> 00:38:14,422 I AM BEING SUMMONED. 828 00:38:17,207 --> 00:38:19,035 HEY, HEY. 829 00:38:23,649 --> 00:38:24,954 I LOVE YOU. 830 00:38:24,998 --> 00:38:26,565 I LOVE YOU, TOO. 831 00:38:26,608 --> 00:38:28,306 OK. 832 00:38:37,053 --> 00:38:38,838 [BELL RINGING] 833 00:38:40,535 --> 00:38:42,581 I COULD GET USED TO THIS. 834 00:38:44,278 --> 00:38:46,019 EMILY CALLED FROM THE JET, 835 00:38:46,062 --> 00:38:47,629 AND THE LITTLE GIRL I TOLD YOU ABOUT 836 00:38:47,673 --> 00:38:48,804 IS GOING TO BE OK. 837 00:38:48,848 --> 00:38:50,589 AW. AND HER MOM, TOO. 838 00:38:50,632 --> 00:38:51,590 THAT'S WONDERFUL NEWS. 839 00:38:51,633 --> 00:38:53,331 YEAH. 840 00:38:53,374 --> 00:38:54,854 NICE MUSIC. 841 00:38:54,897 --> 00:38:56,812 MM-HMM. 842 00:38:56,856 --> 00:39:00,294 BEFORE BED LILY ASKED ME WHAT OPERA WAS, 843 00:39:00,338 --> 00:39:03,253 SO I TOLD HER THE WHOLE STORY. 844 00:39:03,297 --> 00:39:04,603 OF MADAME BUTTERFLY? 845 00:39:04,646 --> 00:39:06,344 MM-HMM. 846 00:39:06,387 --> 00:39:09,825 HOW AN AMERICAN SAILOR CAME TO JAPAN AND THEY FELL IN LOVE, 847 00:39:09,869 --> 00:39:11,740 THEY HAD A BABY, BUT BACK IN THOSE DAYS, 848 00:39:11,784 --> 00:39:16,179 IT WAS HARD FOR THE TWO CULTURES TO COME TOGETHER. 849 00:39:17,616 --> 00:39:19,052 AND DID LILY UNDERSTAND? 850 00:39:19,095 --> 00:39:21,054 I DON'T THINK SO. MM-MMM. 851 00:39:21,097 --> 00:39:22,621 BECAUSE AT THE END OF THE STORY, 852 00:39:22,664 --> 00:39:26,320 SHE ASKED ME IF THE AMERICAN SAILOR WAS POPEYE. 853 00:39:26,364 --> 00:39:28,278 [LAUGHS] 854 00:39:28,322 --> 00:39:29,845 OH, DON'T DO THAT, YOU'LL MAKE MY WATER BREAK. 855 00:39:29,889 --> 00:39:32,370 I CAN'T... 856 00:39:32,413 --> 00:39:35,329 I WAS JUST OUT THERE THINKING 857 00:39:35,373 --> 00:39:37,592 ABOUT HOW MUCH TRUST OUR CHILDREN HAVE IN US. 858 00:39:37,636 --> 00:39:41,466 AND HOW AT THE AGE THEY ARE NOW, 859 00:39:41,509 --> 00:39:43,946 THEIR LIVES ARE TOTALLY IN OUR HANDS. 860 00:39:45,644 --> 00:39:47,646 WHAT PROMPTED THAT? 861 00:39:47,689 --> 00:39:50,779 A PAIR OF DICE WITHOUT ANY DOTS. 862 00:39:52,433 --> 00:39:53,913 I'LL TELL YOU ABOUT IT LATER. 863 00:39:56,872 --> 00:40:01,050 WELL, I'VE BEEN DOING SOME THINKING OF MY OWN. 864 00:40:02,617 --> 00:40:04,402 AFTER THIS ONE, 865 00:40:04,445 --> 00:40:07,448 WHAT DO YOU SAY WE CALL IT A DAY, 866 00:40:07,492 --> 00:40:08,710 KID-MAKING-WISE? 867 00:40:10,495 --> 00:40:12,888 5 IS A NICE ROUND NUMBER. 868 00:40:12,932 --> 00:40:13,976 HMM? 869 00:40:14,020 --> 00:40:16,501 MM-HMM. SURE. 870 00:40:16,544 --> 00:40:18,633 I'LL DRINK TO THAT. 871 00:40:18,677 --> 00:40:19,765 AHH. 872 00:40:19,808 --> 00:40:22,028 [LAUGHS] 873 00:40:41,743 --> 00:40:44,703 CAPTIONING MADE POSSIBLE BY ABC STUDIOS, LLC AND CBS, INC. 874 00:40:44,746 --> 00:40:47,967 CAPTIONED BY THE NATIONAL CAPTIONING INSTITUTE --www.ncicap.org--